A living room with linen sofas, honed limestone floor, and long afternoon light.

Residences

Revisiting Casa del Bosque, one year on

A year is a short time in the life of a house, but it is long enough to see what a residence intends to become. A return visit to Casa del Bosque, twelve months after its owners moved in.


Casa del Bosque was completed in the winter of 2024. We returned in the winter of 2025, at the invitation of its owners, to spend two days walking through the house without a purpose beyond looking.

Casa del Bosque at dusk — limestone-clad entry, oak door, brass ironmongery.
Arrival at Casa del Bosque. December 2025.

I — What softened

A wide view of the living room at Casa del Bosque, one year after completion.
Living room, one year on.

The limestone floor has settled into a slightly deeper tone under a year of bare feet and morning sunlight. The linen curtains have acquired the fold-memory that only comes from being drawn each evening. The unlacquered brass has begun to darken at the doorways it is touched most often.

A bedroom at Casa del Bosque in soft morning light, one year after completion.
A bedroom oriented east, one year on.
A house tells you, within a year, which of its rooms it will keep.
The kitchen at Casa del Bosque, its limestone counter worn to a softer tone.
Kitchen threshold, twelve months in.

What we would edit

Two decisions have proven quieter in life than in drawing. A stair rail we might now draw an inch narrower. A pantry doorway we might now hold open with a fixed panel rather than a hinge. These are small revisions, and we have written them into the studio's notes for the next residence.

A long horizontal window at Casa del Bosque catching late afternoon light on plaster.
Late light on plaster, Casa del Bosque.

Related from the Journal


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On slowness, and the houses that reward it

A short essay on the residences we return to — and the quiet decisions, made years earlier, that let them age without hurry.

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The case for hand-plastered walls

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The case for hand-plastered walls

Why we choose an imperfect surface troweled by hand over the machined flatness that has become the default in new Costa Rican homes.

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Advisory

Continue the conversation

The Journal reflects a small portion of the studio's ongoing work. If a residence, material, or maker in this piece has spoken to a project of your own, we would be glad to continue the conversation privately.

Response

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